Physical space can be an important, sometimes defining, aspect of a poet’s work. Participants will explore how a sharp, specific focus on geography…
RE-VISION: Seeing Again with
Don’t kill your literary darlings. Resurrect and revise them. Get tickets here.
Sweet Home Renga: A Zoom Collaboration
This collaborative renga poem was created during The Wild Third Voice: Collision, Collusion, and Craft in Poetic Collaboration Workshop led by Denise Duhamel and Maureen Seaton for the 2021 RQ Writing Academy Workshop Series. A special thank you to Marlee Abbott for arranging the poem. (*Renga is a genre of…
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Collision, Collusion, and Craft with Denise Duhamel & Maureen Seaton
About this Event The Wild Third Voice: Collision, Collusion, and Craft in Poetic Collaboration Join poets Denise Duhamel and Maureen Seaton, long-time collaborators, for a craft talk and (possibly, hopefully) the chance (you get to choose) to participate in a linked collaborative poem which will 1. celebrate the day, 2.…
Expansion and Distillation: A Generative Writing Workshop with Andrea Cohen
About this Event Description: We’ll look at ways to simplify and add complexity to poems, leaving a door open for mystery and surprise. We’ll discuss a narrative poem and a lyric one, and do a short in-class exercise. Get tickets here. About Andre Cohen: Andrea Cohen’s poems and stories have appeared in…
Ekphrasis: Writing What You See Workshop led by Caridad Moro-Gronlier
Generate new ekphrastic poems in this LGBTQ-friendly creative writing workshop.
Course Materials: Inviting the Subconscious
Hello all, I am so looking forward to our generative workshop tomorrow and to creating a space of respite and creativity. I will introduce myself in more detail in our session, but for those of you who have not workshopped with me before, I have included a few notes about me…
Queering the Opening: Generative Workshop led by Paul Lisicky
This writing workshop shows writers how to snag the reader’s attention and build tension from the first (few) sentences. Get tickets. Workshop Description: How to involve the reader from the first sentence—or at least the first few? How to imply tension and trouble without giving the whole narrative away? We’ll think…